A. NIKKHAH 343
be imagined mainly because the demand for all to be more
similarly educated increases with time (Nikkhah, 2011b, 2011c).
These highlight the most fundamental roles of “creative educa-
tion” in enabling optimum human uses of nature. Humans are
exposed to a variety of environments whose utilization effi-
ciency is orchestrated and obliged by education systems quali-
ties. As such, policy-making in creative science education is
key to timely human developments. Science education will be
increasingly regarded as a global art.
The arts are a vast subdivision of culture, made of numerous
creative endeavors and disciplines. The “arts” is a more-inclu-
sive expression than “art”, which usually refers to visual arts.
The arts encompass visual arts, literary arts, and the performing
arts including music, theatre, dance and film, among others. By
global definition, the “arts” is described as imaginative, crea-
tive, and non-science senses and data that may be studied aca-
demically. Art is born when an artist creates a stunning and
inspiring object, sense, science, or experience that is considered
to have artistic merits for humans. The “art” is suggested as the
process that creates an artwork. The artwork or the piece of art
is analyzed and scored by experts or is most practically appre-
ciated, assimilated, and enjoyed by spectators, viewers and
listeners. Art is a global activity that hosts several disciplines,
including Fine Arts, Liberal Arts, Visual Arts, Decorative Arts,
Applied Arts, Design, Crafts, Performing Arts, and others. Arts
are the means that humans utilize to communicate with their
surrounding nature and environment more insightfully. This
suggests that pursuing arts makes all life affairs more efficient,
more understandable, and thus more pleasurable. Therefore, an
ultimate pathway to facilitate and improve “creative science
education” is through contemplating arts and their assimilation
with science.
Science and Arts Integrations into Creative
Public Education
It is increasingly suggested that human brain systems (e.g.,
rbitofrontal cortex and the nucleus accumbens) communicate
with arts in ways that can determine various future choices of
life (Berns et al., 2009; Berns & Moore, 2011). Artistic sci-
ence education requires educators who can perceive, perform
and analyze arts. Arts are performed with sophisticated delica-
cies and harmonies. Artists ought to acquire such skills to im-
press upon others while performing. That requires artists to live
with their arts as they creatively practice and perform. Arts are
thus become part of artists’ brain organization without which
all life affairs would be curtailed and imperfect. This vision
suggests that human brain is kinetically always deficient unless
complemented by arts. Scientists are considered analytical hu-
mans who expectedly contemplate more than many. Thus, sci-
entists’ brains are prone to greater degrees of disorganization.
Accordingly, arts come to play more important roles in orga-
nizing scientists’ minds. Art is highly integrated with science as
is art training with science education. Creative science educa-
tion must be inspired by professional arts training. Interactions
among arts and science mentors will be highly encouraged. Arts
performers are often seen to have proficiency in more than one
field. Formatted with arts, human learning capacity increases.
Should science be practiced as an art, science mentors will
more efficiently direct mentees towards a variety of science
fields. Without artistic mentoring, mentees will encounter nu-
merous difficulties in learning a given science. With artistic
mentorship, a multitude of sciences may be pursued enthusias-
tically.
Arts and science become increasingly interrelated as science
expands. Pursuing one without another is virtually impossible.
Arts are prime while science is constantly incomplete. Science
depends on arts far greater than arts on science, suggesting that
arts are ahead of and lead science. The state-of-arts science
education is hence led by arts. Music is a paramount and ra-
tional art example. Orchestrating a harmonious piece of music
is comparable to mentoring creative science education. Finest
harmonies could be secured by educating a multitude of sci-
ences as is rousing a piece of music by composing manifold
melodies. Sciences educated artistically will generate mentors
that are cognizant of arts roles in the quality new millennium’s
science education.
Ease and pleasure in mentoring science is granted with mul-
tiple-science training. Basic sciences of mainly physics and
chemistry conceptually fit into applied sciences such as nutria-
tion, medicine, and engineering. Advocating sciences apart in
“creative science education” will not be a goal. True and capa-
ble artists (e.g., musicians) often secure proficiency in addi-
tional arts besides their own principal art. Science will yet to
learn much from arts. Science transformation into arts can op-
timize science education. Science education policies should
pursue arts as a model to reach and maintain harmony. A first
step is to develop and provide supplementary courses in arts for
science mentees and mentors. Such courses will be mandatory
and prepare mentees’ minds for more orchestrated science tr-
aining. This is similar to a music orchestra when a back-ground
piece is played to shift the audience’s mind into the psycho-
logical atmosphere within which mind, psych and body will
experience relaxation. Accordingly, before mentors can most
effectively communicate science with mentess, a mind bridge
between them should be developed through which thoughts will
be exchanged more passionately and productively. Arts will
help to build sturdy and long-lasting mind bridges in creative
science education. Arts such as music, painting, choreography,
theatre, sculpture, poetry, architecture, photography, and com-
ics among others will help to more transparently connect men-
tors to mentees. The connection will highly facilitate science
education and insight formation. Science creates knowledge
and knowledge fuels insights to further science. These are in-
terconnected with arts.
Policy-Making Obligations of Science Education
Effective government education has received negligible
global science and research attention. As a matter of science
fact, insufficient education across governmental and adminis-
trative levels contributes greatly to deficiencies in most deserv-
ing and visionary time and financial investments in science and
technology creation, education and their public utilization. As-
signing science advisors within governments and administra-
tions is only a single minor factor, and thus, is highly inade-
quate in creating an efficient global science structure. Gover-
nors and administrators are to receive most applied education
on theories of science methodological impacts on life better-
ment. Specialized educators are to frequently update governors
and policy-makers with most recent fundamental science dis-
coveries. The main aim of such governmental education is not
only to advance governors’ knowledge of world science but is
more pragmatically to highlight the significance of granting
most deserving thought and applied credits to “creative science
education”. Governors and administrators may each be expert