B. L. QIN
antidote to explanation of Husserlian phenomenology because
this philosophical method demonstrates that no conventional
norms or practices are beyond question and challenge. More-
over, against each charge, he contends that phenomenology is
compatible with and open to the possibility of conscious as well
as concrete deep-structural norms, though it rightly assumes
that all such norms require intuition and thinking in order to
gain reliable knowledge and substantive truth. And he shall do
so, in part, by distinguishing between first-order explanation
and second-order critique. He concludes:
It should be obvious even from this brief account of phe-
nomenology that it is a form of methodological idealism, seek-
ing to explore an abstraction called “human consciousness” and
a world of pure possibilities.
By “articulating” the final account—that is, by describing,
classifying, elaborating, illuminating, and uncovering the more
or less unarticulated definitions, sentiments and values, and
standards and self-understandings embodied in the critique of
Husserlian phenomenology—E argues that pre-view of Kant
and back-view of Leavis further instantiate virtues and goods
about dogmatism which intuition is increasingly collaborative
and right. Immediate sensation works to develop a global the-
ory, which “is bound to be an authoritarian theory, since it de-
pends wholly on intuition”. But because such accusation cham-
pioned by intuition resonate too well with extreme words like
dogmatism, irrationalism and subjectivity, E’s observation thus
put itself increasingly at risk by dogmatic conclusion which on
the contrary serves simultaneously as a defense of Husserlian
phenomenology. To our defense, phenomenology rightly avers,
what we call intentional theory of conciousness, and what I am
calling a truth like an existing straw easily attacked by wind but
never fell down. Husserlian phenomenology can “serve a criti-
cal function” while yet being “constructive and conserving”.
As E finally transfers to the contribution phenomenology has
offered to literary criticisms, he shows that the approach is not
necessarily, or even characteristically, conservative with its in-
fluence on the Russian Formalists. With his presentation, Rus-
sian Formalism is just “like” Husserlian’s methodology, in
which poetry is bracketed off real objects and goes back to the
poetry itself. Apart from that, Geneva school is also sided in
with a form just following suit:
As with Husserl’s “bracketing” of the real object, the actual
historical context of the literary work, its author, conditions of
production and readership are ignored; phenomenological critic
is aims instead at a wholly “immanent” reading of the text, to-
tally unaffected by anything outside it. The text itself is reduced
to a pure embodiment of the author’s consciousness: all of its
stylistic and semantic aspects are grasped as organic parts of a
complex totality, of which the unifying essence is the author’s
mind. To know this mind, we must not refer to anything we
actually know of the author-biographical criticism is banned but
only to those aspects of his or her consciousness which mani-
fest themselves in the work itself. Moreover, we are concerned
with the “deep structures” of this mind, which can be found in
recurrent themes and patterns of imagery (p. 51).
Against the final charge, I intend to admit the phenomenol-
ogical analogy E has described in Geneva school, and that
something like subjectivity, are characteristic features of the
approach, but I shall refuse to see this methodological concern
as a critical problem. Subjectivity seems to me inevitable, a
reflection or result of the human condition and not of the ap-
proach, and it should lead theorists, on the one side, to recog-
nize and respect human diversity and, on the other, to admit to
the role of consciousness, and thus to immediate relationship
between truth and phenomena. Transcendental structures can
not be gained without reasoning. But the universal essences like
love, beauty and compassion are often felt and conducted by all.
Human beings are in states of ongoing reciprocity with their
environments. Life processes evolve irreversibly and unidirec-
tionally along the space-time continuum. Humans are homeo-
dynamic, as they seek stability and balance in their dynamic
forward motion. Humans are characterized by their capacity for
abstraction and imagery, language and thought, sensation and
emotion. Pattern and organization individuate and identify per-
sons, families, and communities and reflect their innovative
wholeness. Subject and object are two sides of one coin. In this
regard, subjective/objective distinction is what Husserl so as-
siduously attempted to abolish. But E contends that the justifi-
cation and criticism of phenomenology and phenomenological
practices and practical norms are filled with flaws. I thus regard
his critique as unjustified or self-vindicated norms and practices
that apparently cohere with the most plausible account of phe-
nomenology, especially, the ideally step-by-step account of Hus-
serlian phenomenology, and practically regard it as unsatisfac-
tory and unjustified methodological truth that works against
itself as well as literary criticism. One metaphorical example, I
should argue, is that as long as one commits a crime, evidence
unavoidably is left. So does phenomenological method. As long
as your conscious is intentionally towards deep structures, you
must first meet phenomena. That can make all those so-called
essence, truth, principle, discipline and law of our world justi-
fied, and particularly appropriate, for we are human beings,
given our liberal traditions and ideals. Such an appeal to extant
humankind traditions and ideals constitutes, or more accurately
presupposes, an interpretation of phenomenology that is sup-
posed to make plausible the claim that the principle of immedi-
ate phenomena and the practice of looking through phenomena
“fit” particularly well their character and aspirations, and this,
in turn, is supposed to warrant the claim that the principle and
the practice are justified or rational.
Conclusion
These brief illustrations, of E’s reasoning for the critique of
Husserlian phenomenology and of his fundamental historical
stance, provide evidence for thinking that E’s critique can be
quite radical. “A thoughtful critic can always draw attention to
radical ideas and possibilities, even if only by transgressing
conventional understandings or taboos; and he or she can al-
ways find creative ways to defend those possibilities on more or
less conventional grounds, even while challenging, revising,
transforming, and/or rejecting elements of the conventional.”
(Sabia, 2010: p. 704) Hence it is not true that visions of Husser-
lian phenomenology is “nothing less than a science of subjec-
tivity itself” will likely be “parochial” if we adopt as more tho-
rough observing approach to his target and possibly he will
change his critique and its interpretative methods. Parochial
visions, to be sure, will be the fruit of basic stance E has alway s
took, but what I have tried to argue here is that the notion of a
historic culture in E’s argument is in the final analysis an in-
vention that ignores the extent to which phenomenology itself
is rooted in cultures and languages, and the individuals who
inhabit and employ them, are complex, contestable, and muta-
ble constructions. Seemingly strong tilling of these fertile fields
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