B. UMEOGU
persuasive message to test if the sources seen as credible could
influence opinions change in the message receivers more than
the non-credible source. The study confirmed the assumption
that credible sources tend to create the desired impact on the
audience.
On a similar note, McCroskey et al. (1974), submitted that
communicators with high credibility in the eyes of message
receivers tend to have respect and their words are accepted
more readily. Also, middle Brook’s findings (1974) showed
that differences in receivers attitudes have a bearing to source
credibility. There is obvious uniformity in communication
theories that message receivers relate source credibility to the
communicator’s favorable character or ethos that emits knowl-
edge, moral standards and goodwill towards the message re-
ceivers. That is, favorable senders’ ethos equals credibility and
believability.
Be that as it may, there are two most commonly visible ele-
ments which positively influence source credibility and they are:
perceived expertise and trustworthiness of the source. Com-
menting on this is Cornan et al. (2006), who submitted that
…three key dimensions of credibility: trustworthiness,
competence, and goodwill. These three dimensions are not
empirical realities but perceptions that can be created, man-
aged, and cultivated. This requires a coordinated approach
to message design, delivery, and—most importantly—ad-
aptation to the given audience and current media situation.
This will now be explored in advertising, politics and relig-
ions.
Source Credibility and Advertising
Have you bothered to question why companies spend huge
amount of money to sign endorsement deals with models and
celebrities all in the name of advertising purposes? The reason
is that these models, stars and celebrities have assumed a role
model status in the eyes of the consumers who on a daily basis
aspire to be like them. If they reveal the name of a particular
scent that they prefer to feel “sexy”, then that revelation alone
is enough to become the hand of Midas that will turn that par-
ticular product into gold. That should explain the relationship
between source credibility and the product attractiveness which
mostly translates into higher sa les.
How do we see credibility in the world of advertising? As
have been stated earlier in the course of this paper,
Credibility refers to a person’s perception of the truth of a
piece of information. It is a multi-dimensional concept that
serves as a means for the receiver of the information to rate the
source or transmitter of the communication in relation to the
information. This rating correlates with the willingness of the
receiver to attribute truth and substance to the information
(Hovland et al., 1953 in Eisend, 2006).
Credibility is all about the tendency to believe or trust
someone with little or no doubt of being deceived or manipu-
lated. Faith, trust, love and objectivity are all rolled up in one
word—credibility.
Before exploring further, who are celebrities? Schlecht (2003)
defines “celebrities as people who enjoy public recognition by
a large share of a certain group of people”. I want to add that
they are people who have excelled in their chosen careers and
consequently have gained public awareness, recognition and
approval. They include actors/actresses like Olu Jacobs, Brad
Pitt, Tom Cruise, Genevieve Nnaji; artistes like Tu face,
D’Banj, P-Square, Celine Dion, Eminem, Beyonce Knowles;
comedians in the person of Basket mouth; talkshow hosts like
Oprah, Dr Phil; sports athletes like Jay Okocha, Kanu Nwan-
kwo, Michael Jordan, Venus and Serena Williams etc.
Like the proverbial goldfish that has no hiding place, they are
always in the face of the camera and thereby always up for
public scrutiny regardless of wherever they find themselves.
Advertisers cash in on this fact to promote their products and
services. In other words, they act as spokespersons as regards
advertising to promote goods and services, (Kambitsis et al.,
2002, Tom et al., 1992 in Schlecht, 2003). For instance, at red
carpets events, reporters and fans are always eager to know the
name of the designers of the clothes and footwears they are
putting on. No matter how ridiculous the outfit looks, as long as
it is good enough for a celebrity, then it is automatically vetoed
(well, in exception of the fashion police and fashion court that
criticizes the celebrity’s looks and outrageous outfits).
Use of celebrity is understandable in as much consumers
readily identify with these stars, often regarding them as heroes
and heroines for their accomplishments, personalities, and
physical appeal. (Shimp, 2000: p. 332). The fondness of using ce-
lebrities is because of their famous attributes-including courage,
talent, athleticism, grace, power and sex appeal. These often
represent the attractions desired for the brand they endorse. By
association, consumers often prefer those brands owing to the
conception that it helps in shaping that celebrity; helps in de-
fining his/her style.
However, source credibility in advertising is also influenced
by source attractiveness. The more attractive a celebrity looks,
the more likely consumers are to buy whatever he/she is selling.
In other words, the level of appeal to the eyes influences the
impact on buying behaviors, brand preferences and attitudinal
changes. In the words of Shimp (2000),
attractiveness exceeds physical attractiveness to include
intellectual skills, personality properties, lifestyle charac-
teristics, athletic prowess and so on.
Empirical evidence suggests the notion that physically at-
tractive endorsers or models tend to produce more fa-
vourable evaluation of advertisements and advertised
products than do less attractive endorsers.
Though, I must add that the effectiveness is heightened when
the endorser’s image is compatible with the nature of the en-
dorsed product.
Another factor that positively or negatively affects source
credibility in relation to advertising and celebrity endorsements
is the “match up” or a fitting relationship between the spokes-
person and the product. What do I mean? Celebrity status will
have little or no role to play if a vegetarian celebrity is used to
advertise beef products; non smokers to advertise cigarettes; or
to use a dark complexioned celebrity to advertise a toning or
lightening cream. Contextualizing this, Hill & Busler 1998 in
Schlecht (2003) explains that
the match up hypothesis specifically suggest that the effec-
tiveness depends on the existence of a “fit” between the celeb-
rity spokesperson and endorsed brand.
Shrimp (2000) went a step further to state that it is not
enough for there to exist a relationship between the model and
the product. To aid believability, there ought to be a meaningful
relationship or match up, between the celebrity, the audience,
and the product. In other words, there ought to be a significant
Copyright © 2012 SciRes. 113