Vol.3, No.3, 151-155 (2011) Health
doi:10.4236/health.2011.33028
Copyright © 2011 SciRes. Openly accessible at http://www.scirp.org/journal/HEALTH/
Impact of group music therapy on the depression mood
of college students*
Jinliang Wang1, Haizhen Wang2, Dajun Zhang1
1Center for Mental Health Education, Southwest University, Chongqing, China;
*Corresponding Author: zhangdj@swu.edu.cn;
2School of Public Administration, Chongqing Youth Vocational and Technical College, Chongqing, China.
Received 25 December 2010; revised 31 January 2011; accepted 28 February 2011.
ABSTRACT
The goal of this study was to examine the ef-
fects of group music therapy on depression and
mental health among college students. 80 stu-
dents participated in this study, with 40 as-
signed to control group and other 40 assigned
to experimental group. The results showed that
after the group music therapy, for the experi-
mental group, the depression scores have re-
duced significantly and the mental health scores
have improved, while for the control group, no
significant difference was obtained on the de-
pression and mental health scores. This indi-
cates that group music therapy can effectively
reduce depression and improve ment al health.
Keywords: Group Music Therapy; College Students;
Depression; Ment al Health
1. INTRODUCTION
Mental health problems, which are featured by the
disturbance and disorder of mental and psychological
activities, refer to the undesirable psychological factors
or psychological states that affect the normal behavior
and activity efficacy of individuals. As a special group
that undertakes the high expectation from the society and
parents, college students are obviously under more psy-
chological pressure than other peer groups. A review on
previous investigations about college students’ mental
problems showed that college students suffer from dif-
ferent types of psychological problems, especially de-
pression, anxiety, somatization, and interpersonal sensi-
tivity [1-3]. Depression ranks the top among these men-
tal problems that disturb college students in the order of
seriousness. Therefore, this study chose depression as
the target of intervention of group music therapy. In the
mean time, the impact of group music therapy on de-
pression and overall mental health of college students
was also explored.
According to previous research on college students’
depressive symptoms, depression may be closely relate
to various life events and individuals’ ways of coping
with these psychological stimuli [4]. For instance, social
competition, academic pressure, interpersonal commu-
nication pressure, qu arrelling with others, serious d efeat,
being not smooth or being disappointed in love, and dis-
ordered close family relationship can contribute to the
depressive symptoms of college students. Among these
reasons, negative coping method, health adaptation fac-
tor, active coping methods, punishment and study pres-
sure have most impact on depressive symptoms [5]. Re-
search also showed that individual variables are impor-
tant to depression, such as high sensitivity to loss and
being overlooked, low self-esteem, difficulty in admit-
ting and mobilizing the emotions, intrapsychic conflict
caused by dependence, frequent bouts of tension, and
long exposure to depression-induction environment. An
effective intervention can be designed then the above
factors are fully considered.
Since 1980s, researchers have conducted intervention s
on reducing depressive symptoms of college students,
which involved combination of hypnosis and relaxation
training, reading, physical exercises like Chinese shad-
owboxing and body-building exercises, offering courses
in mental hygiene and personality psychology, and lay-
ing emphasis on social and family support. Music ther-
apy, as an impor tant means of interv ention on d epression,
has been shown to be effective in reducing depression
mood [6-9].
An inspection on literature sho w ed th at so me effective
means of intervention into depressive symptoms of col-
lege students are app lied from the perspectives of cogni-
tion, will, behavior, and society, which involve change of
cognition, tempering of will, enhancement of behavior,
*This study was supported by the fund of Key Project ‘Strategies on
Cultivating College and Middle School Students’ Personality Traits’ at
Key Humanity Social Science Research Institute in Chongqing.
J. L. Wang et al. / Health 3 (2011) 151-155
Copyright © 2011 SciRes. Openly accessible at http://www.scirp.org/journal/HEALTH/
152
and adaptation to society. Zhang points out that current
mental health education inclines to “highlighting behav-
ior training while overlooking the internalization of ex-
periences” during specific practice. Therefore, the im-
portant role of internalization of emotion and experi-
ences shall be emphasized properly [10]. According to
the analysis on the literature, depressive symptoms are a
type of sad emotion experienced by the individual, with
subjective negative emotional experience as its core
element. Therefore, the key to reducing depressive symp-
toms is to transfer the negative emotional experience
into positive emotional one. In the above studies of ef-
fective methods to affect depressive symptoms of col-
lege students, we find little of study on effective inter-
vention from the perspective of emotional experience.
Hence, this study tries to use music therapy as the inter-
vention to decrease the depressive symptoms of college
students. It is an exploratory study on the mental health
education of college students. In the current study, two
hypotheses were proposed.
Hypothesis 1. Music therapy may effectively affect
the depressive symptoms of college students.
Hypothesis 2. Music therapy may promote the overall
mental health of college students by alleviating the de-
pressive symptoms.
2. METHOD
2.1. Participants
Tests of depressive symptoms and overall mental
health have been conducted for th e participants selection.
According to the study of Wu [11] and Ji, et al [12], the
college students with the score of SDS self-rating de-
pression scale, greater than 40 and score of depression
factors of SCL-90, the symptom checklist, greater than
2.18 are selected as the participants. In this study, 80
students (Control group = 40, Experimental group = 40)
were selected as the participants (Mean age = 19.35; SD
= 1.68).
2.2. Experimental Design
The balance group pre-test and post-test experimental
design is used, with the music therapy as the independ-
ent variable and the depression score and mental health
score as the dependent variable (See Table 1).
2.3. Measurement
The self-rating depressive scale (SDS) The Chinese
version of the SDS is a self-report measure of depression
consisting of 20 items, with a four-point scale ranging
from a little of the time (1) to most of the time (4). Of
the 20 items, 10 are worded positively and 10 are worded
Tabl e 1. Experimental design of music therapy intervention on
depression.
Group Pre-Test Intervention Post-Test
Depression
score
Depression
score
Experimental
group Mental
health score
Music therapy Mental
health score
Depression
score
Depression
score
Control groupMental
health score
No therapy Mental
health score
negatively. The former 10 items are reversed items [13].
The validity and the reliability of the SDS have been
reported (for review, see Zung, 1986) [14].
The symptom checklist 90 (SCL-90) The Chinese
version of the SCL-90 was used to measure mental
health level o f the p artic ipan ts. Th e 90 -ite m s cale in c lud es
10 factors including somatization, obsessivecompulsive
symptoms, interpersonal sensitivity, depression, anxiety,
hostility, pho bia anxiety, parano ia ideation, psychoticism,
et al. The validity and the reliability of the SCL-90 have
been reported (Derogatis, 1984 ) [15].
2.4. Intervention
The entire intervention was divided into 3 stages in-
cluding the introdu ction stage, the implementation stag e,
and the feedback stage, with each stage having their own
themes. Specifically, the introduction stage has one theme:
cultivating and training interpersonal skills. Students
suffering from depression tend to withdraw from group
activities because they feel inferior, lack experiences or
have no common interests and often do not know how to
build relationship with others. Music therapy activity,
however, can help them interact with one another and
provide them with the opportunity and motivation for
participating group activity. In th e stage two (namely the
implementation stage), five themes are included, which
are relaxation training, attention training, rhythm and
movement training, music-painting training, and adapta-
tive cognition training. We have good reasons to select
these themes as our intervention focuses. For example,
for participants who suffer from anorexia, insomnia, ten-
sion, fidget and mood swings, it is difficult to calm them
down to appreciate music, so relaxation training is con-
ducted, i.e. training on how to loose all muscles or to take
deep breathing to alleviate their tension or fidget and
then they are guided to appreciate music. Attention train-
ing is to mobilize potentials of the participants fully and
for bringing their other healthy psychological factors into
normal function. Rhythm and movement training is to
help participants rebuild their adaptive behavior. Music-
J. L. Wang et al. / Health 3 (2011) 151-155
Copyright © 2011 SciRes. Openly accessible at http://www.scirp.org/journal/HEALTH/
153
painting is to make the individual draw the sound he or
she wants to voice out on a piece of paper, or make him
or her paint on a piece of paper what he or she feels from
listening to the music. Adaptativ e cognition train ing is to
help them lear n how to cognize and evaluate things with
reasonable way in a positive mood. After each theme, a
group discussion was held for participants to write their
achievements or gains in the activity according to their
actual situation. In the third stage (namely the conclu-
sion stage), we focused on summary and feedback of
intervention activities. Through the design of a farewell
party, participants were reminded of the positive and
unforgettable scenes in the activity and knew how to
apply what they have learned in thei r future life and study .
3. RESULTS
An independent sample t test was carried out to ex-
amine the difference in the depression score between the
experimental group and the control group, and a
matched sample t test was run on the experimental grou p
and the control group respectively to examine the dif-
ference in the depression scores between the pre-test and
post-test. The results can be seen in Table 2.
Table 2 shows that there was no significant difference
in the depression scores between the two groups before
the experiment (t = 0.20, p > 0.05). After the music
therapy, however, significant difference was obtained
between the experimental group and control group (t =
5.13, p < 0.001), with the score of the experimental
group lower than that of the control group. For the ex-
perimental group, we found a significant difference on
the depression score between the pre-test and the post-
test ( t= 6.93, p < 0.001). For the control group, how ev e r,
we did not find any difference between the pre-test and
post-test (t = 1.51, p > 0.05).
An independent sample t test was carried out to ex-
amine the difference in the mental health score between
the experimental group and the control group, and a
matched sample t test was run on the experimental grou p
and the control group respectively to examine the dif-
ference in the mental health score between the pre-test
and post-test. The results can be seen in Table 3.
Table 2. Difference between pre-test and post-test of depres-
sion scores in experimental group (n = 40) and control group (n
= 40).
Pre-test Post-test
Group M ± SD M ± SD t
Experimental group 45.45 ± 5.2340.21 ± 5.10 6.93***
Control group 46.01 ± 5.3446.19 ± 5.07 1.51
t -.20 -5.13***
Note: * p < 0.05; ** p < 0.01; *** p < 0.001
Table 3. Difference between pre-test and post-test of mental
health scores between experimental group (n = 40) and control
group (n = 40).
Pre-Test Post-Test
Group M ± SD M ± SD t
Experimental
group 214.32 ± 39.24 198.73 ± 44.11 5.03***
Control group 213.35 ± 38.93 214.83 ± 45.39 .26
t 1.21 5.32***
Note: * p < 0.05; ** p < 0.01; ***p < 0.001
Table 3 showed that there was no significant differ-
ence in the mental health scores between the experimental
group and control group in the pre-test (t = 1.21, p >
0.05). However, after the musical therapy, we found a
significant difference in the mental health scores be-
tween the experimental group and the control group (t =
5.32, p < 0.001), with the score of experimental group
higher than that of control group. A significant differ-
ence between the pre-test and post-test was obtained for
the experimental group (t = 5.03, p < 0.001), while no
significant difference between the pre-test and post-test
was obtained for the control group (t = 0.26, p < 0.05).
4. DISCUSSIONS
The purpose of this study was to explore whether
group music therapy can reduce college students’ de-
pression and improve their mental health level. Our
study found that there was no significant difference in
the depression scores of the participants in the two groups
before the intervention. However, after the musical
therapy, the depression scores of the experimental group
participants reduced significantly, while there was no
significant difference between the pre-test and post-test
for the control group. This finding is in line with previ-
ous studies, which found that group music therapy have
significant effects on depression mood [16-18].This in-
dicates that music therapy is effective in ameliorating the
depression mood among college students, and our first
hypothesis is suppo rted.
Our study found that there was no significant differ-
ence in the mental health scores between the experimen-
tal group and control group before the intervention.
However, after the intervention, a significant difference
between the pre-test and post-test was obtained for the
experimental group, while no significant difference be-
tween the pre-test and post-test was obtained for the
control group. This indicates that, music therapy, through
amelioration of the depressive symptoms of the partici-
pants in the experimental group, improves the overall
mental health of the participants in the experimental
J. L. Wang et al. / Health 3 (2011) 151-155
Copyright © 2011 SciRes. Openly accessible at http://www.scirp.org/journal/HEALTH/
154
group and realizes another purpose of the experiment.
Our finding is in consistent with previous research
showing that music therapy can improve mental health
[19-20] and our second hypothesis is supported.
The reason that music therapy can effectively reduce
depression and improve mental health can be summa-
rized as the following. First, the design of the interven-
tion in this study was well-directed, standardized and
operatable. Combining the music selection, the arrange-
ment in activity stage and arrangement in the apprecia-
tion process with the specific pr esentation of the college
students’ depressive symptom meets their psychological
needs. Music therapy and group counselling technique
were introduced into the intervention to train and culti-
vate the college stud ents’ ab ility to a meliorate depressive
symptoms as well as to improve their overall mental
health; meanwhile, their music aesthe tic appreciation abil-
ity as well as their ability to co mmunicate and cooperate
with the others are also trained and cultivated. Finally,
these abilities will be generalized and transferred into
their daily life. The introduction of music therapy and
group counseling technique helps this activity’s opera-
tional plan to be more well-directed and operatable, and
then improves the implementation practicability of the
music aesthetic appreciation.
Moreover, the participants’ feedback to the imple-
mentation of the music aesthetic appreciation interven-
tion showed that participants’ response to the presenta-
tion of music aesthetic appreciation activity and process
operation was generally good and they were satisfied
with the experiment as a whole. In the presentation of
music aesthetic factors, experience aesthetic principle for
the ways of music aesthetic appreciation, aesthetic char-
acteristic of the music aesthetic appreciation environ-
ment in aspect of acoustic sense and aesthetic standards
for guiding music aesthetic appreciation are the best
embodiments. In the psychological process of music
aesthetic, activities in each stage and process are imple-
mented well.
5. CONCLUSIONS
Music therapy can effectively reduce college students`
depression symptoms;
Music therapy can significantly improve mental health
level among college students.
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